— gallery column —

Corrugated. By Rachel Goodwin. Acrylic and paper collage on wood. Detail.

in the gallery . . .

Look Through This: New Work by Rachel Goodwin

Big thanks to musical guest Alex Weiss and Friends for playing out front during our last reception! He’ll be back for more during our September 7 reception.

This collection of new work by Rachel Goodwin employs a variety of media to explore the accumulation and regeneration of various kinds of circular forms. The circles seen in almost every piece range from drilled holes to carved pools to spheres arranged in various concentric and non-concentric forms.

The work presented ranges from several hanging “Balls & Beads" pieces assembled from found objects to multiple paintings on wood of halos, pawn figures and interconnected web forms to a carved disc of wood depicting a utopia, as if it could be found by accident within a trees’ trunk. Where possible all of the pieces reinforce the essential utility of re-use, leaning heavily on recycled post-consumer packaging and recycled wood.

Rachel works with paint, wood and found materials building paintings, collages and constructions. Her pieces create odd, disruptive, intense arrangements, where form and color accumulate, stack and interact. They suggest both a meditative and often playful visual language. Inspired by how we consume our world and dispose of it, her work resuscitates and transforms the old, broken, tortured objects we live with everyday.

This exhibit will be on display through June 27.

Encaustics by Lee Moore Crawford. We often hire Lee (Hana Lee) for her beautiful and sustainably grown floral arrangements for our receptions.

Encaustics by Lee Moore Crawford. We often hire Lee (Hana Lee) for her beautiful and sustainably grown floral arrangements for our receptions.

Mimi Logothetis is our newest ceramicist. These are sake cups and a sake warmer to go along with her vases, cups, teapots, tumblers, pasta bowls, plates, sugar bowl, Chinese take out containers, lamps, candle screens, and other porcelain works.

Mimi Logothetis is our newest ceramicist. These are sake cups and a sake warmer to go along with her vases, cups, teapots, tumblers, pasta bowls, plates, sugar bowl, Chinese take out containers, lamps, candle screens, and other porcelain works.

NEW ARTISTS in the gallery . . .
We have new works coming into the gallery throughout the year, as well as new books in the curated book stall (including the hot off the press Blue Muse: Southern Photographs by Tim Duffy, featuring many years worth of his tintype work with musicians from across the Southeast whom he is helping in various ways with his work at Music Makers. Lenscratch article here for more info. Please visit the “Artists and Craftspersons” tab for a quick glimpse of our roster and images of their work.

Harvey Milk . By Noah Saterstrom. 2019. 12 x 12 inches

Harvey Milk. By Noah Saterstrom. 2019. 12 x 12 inches

U P C O M I N G E X H I B I T S & E V E N T S

Faces: Musicians, Artists, Writers, Activists, & Educators
New Paintings by
Noah Saterstrom July 1 – September 30

This exhibit honors a wide range of cultural contributors (most of whom have died) and is a way to honor the legacies of 48 individuals, and to remember their faces which Noah Saterstrom presents in a series of 12 inch square paintings that will blanket the main gallery wall. This work celebrates the simple pleasure of looking deeply and remembering (and being moved to learn more).

R E C E P T I O N S
Saturday, July 13; 5–7pm (with special musical guest Jim Henderson
& the Ragweed Brass on the front porch)
Saturday, Sept. 7; 5–7pm

Tick Tock . By Lori Vrba.

Tick Tock. By Lori Vrba.

Encompass: Lori Vrba and Dawn Surratt
Artists Lori Vrba and Dawn Surratt combine their symbiotic sense of the world for an exhibition of photo-based works (prints, assemblages, books) that speak to the metaphors of movement and direction. Vrba and Surratt present an exhibition of storytelling that is evocative, sensitive, and feminine; and rewards the viewer for looking deeply.
October 3 – Dec 30
Receptions: Saturday, Oct. 19; 5–7pm and Saturday, Nov. 16; 5–7pm

Jan & Feb 2020
Remembering the Life and Work of 
Anne Hill
Against all the pressures for sameness and conformity, Anne managed to foster her individuality and live a spirited life as a true original."
—Mackey Bane (former friend and fellow artist)

March & April 2020
New Works by Revere La Noue (painting, printmaking, film)

Summer 2020
Collages and Prints by Margaret Sartor

Mother & Son: Paintings and Mixed Media work
by Kathleen and Andrew Reider

New Paintings and Engravings by Henryk Fantazos

Oct & Nov 2020
As part of the Click! Triangle Photography Festival (which we help organize and produce) we present . . .
Tintypes and Photography by Lisa Elmaleh

Unless noted otherwise, all receptions are doubleheaders with Craven Allen Gallery, which is located just down the block.

*please know we always have work by over 30 established craftspersons and artists in a wide range of media throughout the gallery as well as a curated book stall featuring artist monographs and museum catalogues and other books not often found in bookstores. We carry a large amount of unframed works in print bins and flat file drawers and Craven Allen Gallery & House of Frame extends a 10% discount on framing any work purchased here.

Click on links below to read past newsletters which contain news about studio projects and gallery happenings.

—  studio column  —
 

NEW BOOKs

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The Harpsichord Diaries is a lush and adventurous 44 page hardcover children’s book that will also enchant adults; especially music lovers. Durham-based and world renowned harpsichordist Elaine Funaro wrote the haiku and the story involves 20 eccentric characters, four harpsichords, and numerous events in history taking place over five centuries. Elaine’s daughter, the amazing stop motion animator Andrea Love made the watercolor illustrations, and the book is accompanied by a 50 minute audio play narrated and created by Andrea’s twin brother Eric Love (who is a Broadway actor and theater director).

The book sells for $20, and due to Elaine’s generous spirit, is accompanied for free by a digipak CD—which we also designed—while supplies last (the play is available for free as an audio download on the book’s website).

Visitors to the gallery are welcome to sit at the gallery table to read this (and any of our other books).

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The Father Box
Words by John Lane | Photographs by Rob McDonald

Award-winning writer John Lane kept a box for many years of what was left from his father’s life up until he committed suicide in 1959 when John was five years old. In the box are letters, photos, objects, and papers comprising nearly everything John knows about his father. The pieces suggest a man’s origins in rural North Carolin; they also document his service in a World War on another continent and trace his return home. Two years ago, John loaned the box to Rob McDonald and asked him to contemplate its contents through the lens of his camera. These are the photographs that Rob made and the poems and short essays John wrote.

This is a project about artifacts and memories. It is about what remains of lives that came before us, lives which set the path for our own.

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This fine press book was published at the end of 2018 in a limited edition of 300 signed and numbered copies. Covers were a mix of Indigo and letterpress printing, the interior 36 pages were printed on heavyweight 100lb Mohawk Superfine eggshell paper, and the books were hand-sewn with linen thread. 8 x 10 inches. $30. (plus $5 s&h)

To order a copy simply email dave@horseandbuggypress.com or call 919.949.4847. Or visit Rob’s website for online ordering. Or email John at johnedwardlane@gmail.com.

FORTHCOMING BOOK

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Goat Light: Home in Words and Pictures
Tom Rankin and Jill McCorkle

This Horse & Buggy Press fine press book will be published in the Fall of 2019. Goat Light will provide focused reflections by Rankin & McCorkle upon their home and farm north of Hillsborough in Orange County, an oasis of beauty quietly tucked away from the increasingly frenetic pace of the Triangle region. The large trim size, 96 page book will weave together many layers; including black and white images made by Tom with large and medium format view cameras and lovingly brought to life in his wet darkroom on their land; digital color cell phone pictures taken on the move by Tom over the past eight years; and stories and writing by both Jill and Tom about life with their collection of animals that populate their land along the Eno River. The beauty of the Piedmont landscape is the underlying constant as times and lives and light change through the seasons and over the years.

For full details, please see the book announcement here which also has ordering information.

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2017 Award

The John McWilliams monograph “Sons and Father” that we produced to accompany his exhibit at the Halsey Institute of Contemporary Art in Charleston, SC was awarded the Fine Art Press category of the 33rd annual Mary Ellen LoPresti Publication Award Competition by The Art Libraries Society of North America (ARLIS/NA). It also received Honorable Mention in the category of Exhibition Catalogues from the 2017 American Alliance of Museums’ Museum Publications Design Competition. The books are for sale at the Halsey and here in the gallery, where we also curate a lil bookstore which includes a nice array of other titles published by the Halsey.

 

Two 2017 Book Projects

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Paul’s Hill: Homage to Whitman is a 96 page poetry title by the current NC poet laureate, Shelby Stephenson, that also features drawings by his son Jake. The covers are letterpress printed by hand on 100lb Colorplan stock with cover flaps, and the interior was printed in two colors on heavier weight paper, but the book sells for just $16. Shelby grew up, and still lives, on a farm in Johnston County and the writing deals with some of the changes the area has endured. This title was published by Sir Walter Press and we do have copies for sale here in the gallery.

“With ‘Song of Myself’ as his touchstone, assuming the bardic persona, Shelby Stephenson revisits Whitman’s ecstatic aria and checks it against that which Whitman could only guess. Realist to Walt’s romantic, Stephenson celebrates what remains authentic in our contemporary South even as he realizes what’s drawn “close, between myself and the world” will not hold. Part blues, part hymn, part barbaric yawp of great, old country classics, this collection lives in the understanding that “history changes one chord at a time.”—John Hoppenthaler, author of Domestic Garden (Carnegie Mellon University Press), winner of the 2016 Brockman-Campbell Award.

Shelby is the third NC poet laureate I've had the honor of working with. (Kay Byer’s Southern Fictions and Joseph Bathanti’s The Sonnets of the Cross were books I designed and produced for Jacar Press and there are a few copies of each remaining).

The book was reviewed here by Grace Calieveri.

The Fabric of Raleigh/The Fabric of Durham is a hardcover book of portraiture by Christer Berg whose approach combines the spontaneity of street photography with the formal qualities of studio photography. The dual direction 120 page book essentially has two front covers, with the Raleigh and Durham content starting from opposite ends and meeting in the middle. The layered book also features writings by the subjects themselves discussing the find pride and challenges they find in their work,  activities, and community; behind the scenes images of where and how the portraits were made; and an illuminating scholarly essay by Roger Manley, the current director of the Gregg Museum, that contextualizes Christer’s approach within the history of art photography. The book retails for $45 and is available for sale here in the gallery, at Christer's website, and select bookstores in the Triangle. 

Additionally, we created a limited edition of giclee/letterpress art prints that integrates three images with a text excerpt. These broadsides are 17 x 22 inches and you can see them in their full framed glory here at the gallery. Digital pictures don’t do them justice. The giclee images are noteworthy for their amazing depth and the toothy texture of the printmaking grade paper beautifully shows off the letterpress impression.